11 Feb 2014

Hopelessly Devoted by Kate Tempest


A Paines Plough and Birmingham Repertory Theatre production

Hopelessly Devoted by Kate Tempest 

Thursday 6 March, 7.30pm
Trestle Arts Base, Russet Drive, St Albans AL4 0JQ

Join us at Trestle Arts Base on Thursday 6 March, 7.30pm for Kate Tempest’s incendiary new play. Following her smash-hit début Wasted that was performed here in 2012, Hopelessly Devoted combines lyrical fireworks with exhilarating live music.


A parent knows devotion. A football fan, an athlete, a scientist, a priest. They feel it. No matter how hopeless it seems. Chess is in prison. Facing a lengthy sentence, her cell mate, Serena, becomes her soul mate. But when Serena is given parole, Chess faces total isolation. Hope comes in the form of a music producer looking for a reason to love music again. She finds a powerful voice in Chess. But to harness her talent, Chess must first face her past.
“OUTSTANDING” ★★★★★ The Public Reviews

Tempest has been described as “one of the most exciting young writers working in Britain today.” (The Huffington Post). Earlier in 2013, 26-year old Kate became the first person under 40 to win the Ted Hughes Award for innovation in poetry, winning the accolade for her work Brand New Ancients – an hour story set to an orchestral backing.


The show contains some strong language and so may not be suitable for under 14s. Running Time: approx 1 hour 20 minutes.

Tickets are £12 / £10 / ‘Bring Your Friends’ £40 (4 Tickets) and you can book them by calling the Box Office on 01727 850950 or online at www.trestle.org.uk

Discounts available for large parties, Schools and Colleges please call 01727 850 950 for details.


23 Dec 2013

The Big Give Christmas Challenge 2013


Thank you from everyone at Trestle for your overwhelming support during the Big Give Christmas Challenge!

We are delighted to announce that we raised £3444.00 during The Big Give Christmas Challenge. Every penny you donated will help us create a new piece of Mask theatre that will tour up and down the country during 2014/15.
The Big Give Christmas Challenge has been Trestle's most ambitious fundraising project of the last few years and we sincerely thank you for the support we have received. Please follow us on Twitter @TrestleTheatre or like us on Facebook /TrestleTheatre for updates and ways in which you can continue to help us raise funds.
Please contact our Marketing and Development Manager, Rhian@trestle.org.uk for more information about supporting us in the future.

22 Oct 2013

The Big Draw in St Albans

Everyone at Trestle had an amazing time at our Big Draw event a couple of weeks ago and we are very pleased to announce that a winner has been chosen from our Big Draw Mask Design Competition. Congratulations to budding young artist Charlotte whose design has been chosen by professional artist Elaine Johnson. Here is a picture of Charlotte’s original winning design that will be transferred on to a Trestle Mask – the only one of its kind!

Charlotte’s entry will be recreated by our professional Mask Maskers on one of our unique hand-made Trestle Masks. It shall be awarded to Charlotte at Trestle Arts Base where she can see how the mask was created.Well done Charlotte and a big thank you to everyone who entered the competition and created wonderful designs.

Don’t forget! All the brilliant artwork from The Big Draw can be seen in our Gallery Café until November 8th. Come and see the wonderful drawings and much more, all created by children and adults from the local community.

12 Aug 2013

Lost Dog in Edinburgh

It Needs Horses/Home for Broken Turns has been selected for Escalator East To Edinburgh 2013, is supported using public funding by the National Lottery through Arts Council England, and is presented with the support of Trestle. It Needs Horses was commissioned by The Place Prize for Dance, sponsored by Bloomberg.

The Place Prize for Dance winners Lost Dog present their winning duet It Needs Horses along with the company’s newest work Home for Broken Turns at Edinburgh Fringe Festival this August.

This blackly comic and highly physical dance theatre is performed by an international cast from some of Europe’s best regarded dance and physical theatre companies including Scottish Dance Theatre, bgroup, Tilted Productions and Gecko.

The Home for Broken Turns is the kind of place that makes you dream of running away to the circus. But it is also a sanctuary, a place where the few remaining occupants could be described as family. This is the story of a group of women who exist on the outskirts, fiercely protective of each other and ready to savage anything that threatens to break up their dwindling pack.

It Needs Horses tells the tale of a down at heel circus duet and their increasingly desperate attempts to entertain the crowd. The glamour has faded and the performers have forgotten their acts, but the show must go on.

Watch the trailer for It Needs Horses…



18 – 25 AUGUST 11.40AM

Venue 82

117 Nicolson Street
Tickets: £12 (£10)

Box office: 0131 662 6892 / zoofestival.co.uk

Age Guidance: 14+


Ben Duke, Artistic Director of Lost Dog, is a Work Place Artist, Associate Artist at South East Dance and recipient of the Bonnie Bird New Choreography Award 2011. Lost Dog is an Escalator Company.

Home for Broken Turns was supported using public funding by the National Lottery through Arts Council England and commissioned by The Place and the Almeida Theatre. Produced by Lost Dog, The Place, Danshuis Station Zuid and Mercat de les Flors, in the framework of Modul-Dance with the support of the CULTURE programme of the European Union.

Image: Benedict Johnson

9 Jul 2013

June 2013: 30 Days, 50 Workshops, 300 Trestle Masks and 610 participants…

Below our Artistic Director, Emily Gray gives us her take on what has been a very busy and diverse month of workshops and residencies.
In every week of June, I delivered workshops and residencies using Trestle’s new Half Masks, from Cambridge to Glasgow to Ipswich; in my twenty years of theatre work, I have perhaps never had such a varied month. I travelled from a struggling new secondary Academy in the Fens to a school for severely disabled young people in St Albans, from a prep school for the highly privileged to a college just establishing a sixth form and teachers working across a wide range of Scottish schools. Participants from the age of six to sixty have been grasping the skills needed to bring Trestle’s half masks to life both physically and vocally, singing in the style of a hero, dancing like a trickster, improvising as a witch.  There has been laughter at the playful brilliance of the masks, astonishment at how the most unlikely students create stunning masked characters, tears of panic from those who find the masks alien and smiles of joy as they overcome their fears and discover the liberation that performing in a half mask can bring.
Here are my highlights:
At The Royal Hospital School in Holbrook, a sunny day in the grounds overlooking the beautiful River Stour, an ambitious Trestle Residency during which, in a day, 100 primary aged children created a telling of The Snow Queen through Indian Physical Theatre techniques and Trestle Half mask archetypal characters. The children performed with energy and imagination, creating choral masked characters and physical storytelling – five girls became an elephant, twenty children were a boat that disintegrated in a storm, a line up of boys played a many armed trickster.
At Cambridge Junction a group of BTEC performing arts Year 12 (aged 16-7) students had a week to learn Mask and Physical Theatre techniques, create a piece and plan how to integrate the Junction’s disability arts group into it. The group found a way to mix Trestle Full Masks, Half Masks, Indian Physical Theatre techniques, fans and rhythmic work influenced by flamenco into one performance piece. The masks caused extreme reactions, they were loved and loathed, with one young man astounding his tutors with brilliant mask work and physical expressiveness which had not before been revealed and one young woman only daring to wear a mask on the last day of the week, just in time for the performance sharing.
In St Albans, a group of boys (aged 11-14) from St Columba’s College came to work with a group of disabled secondary students at Watling View School. Over three days they worked together to create their own versions of the half masks and their characters and worlds. Such creative care was shown as St Columba’s students were inspired to develop actions and stories from the movements and habits of the Watling View students; the Hero just couldn't stay still, he was continually dashing off on new missions, the Fool loved to feel the bridge of his mask’s nose and this became of symbol of remembering to apply sun cream. The theme of our residency was ‘Being Brave’ and our Princess inspired us all by being brave enough to offer to dance with the Witch and find a shared love of movement. The King loved to drive the bus to Watford Junction, but when his gold was stolen he needed help and the other characters helped him to retrieve his gold from the Devil and Trickster, who guarded the gates of Hell with a golden key. The King then demanded that everyone in his kingdom dance to Gangnam Style, including the staff and parents who came to see the show.
Meanwhile, in the same week, Year 8 pupils (aged 12-13) at Beechwood Park School were giving their annual Shakespeare Festival an almighty shift in style by introducing half masks to the Seven Ages of Man speech from As You Like It. Twenty Four students in half masks created a telling of the Seven Ages speech, delivering Shakespeare’s words and improvising around them to great comic effect and the delight of an audience of parents, peers and teachers.
Up in Glasgow, over 70 teachers gathered for a day of professional development and I led group of 20 learning about teaching full masks in the morning and half masks in the afternoon.  An unforgettable improvisation involved a wild Child desperate to find her real Father and a Mother trying hard to understand and appease the Child, whilst trying to evolve a relationship with ‘Daddy Number 5’ who turned out to be a bit of a Trickster. There was no shying away from the issues that can enter the drama classroom and suggestions of playing out scenarios through masked characters.
Perhaps the most salubrious setting in which the masks have found themselves this month, was the Crush Bar at the Royal Opera House. The masks and I felt privileged to be at the launch of the Hertfordshire Young Cultural Ambassadors Project, led by Herts Creation, with primary and secondary students from across Hertfordshire being inspired to promote and develop creative and cultural activity between schools and artists. Some young people were interested in theatre and dance, whilst others had more of a passion for music, visual and technical arts. Many tried out the masks and imagined ways for them to engage students across all sorts of subjects.
My last workshop of the month was with Stagecoach Chelmsford, a brilliantly run school with strong teachers and talented students. The greatest revelation here was six and seven year olds getting into half mask, finding ways to communicate through body shapes and contorting their mouths into highly dramatic expressions. The younger children improvised brilliantly, creating devilish characters who wanted to boil people, romantics who wanted to declare their secret loves, fools who thought they could win any game.
I have been inspired and encouraged by the spirit of those people in workshops, whether they are children or adults, who leap up and try out a half mask, daring to be the first to put on a mask and enter the uncharted territory of improvising with me and on the spot finding a favourite word or gesture. My favourite moment is when they come out of the mask with a look of triumph that they have just made an audience react and laugh and believe in their invention and complete relief that the mask is lifted, they have succeeded and they can confidently say that it was fun, sometimes a bit weird, always surprising and overall liberating.
Trestle prides itself on delivering bespoke packages for Arts Weeks, Activity Days, Curriculum Support,  Corporate Training and anything else you may require.    
If you would like more information on our participation programme please visit www.trestle.org.uk/participate/ or email takingpart@trestle.org.uk.

8 Jul 2013

VIDEOfeet Triathlon

The VIDEOfeet boys are running the London Triathlon www.thelondontriathlon.co.uk at the end of the month, in aid of Macmillan Cancer Research. (Although, unfortunately not in the Trestle Masks they are wearing in the photo!)

Recently, a close member of Al’s family has been has been diagnosed with Hodgkins Lymphoma, and this has provided the impetus for doing a sponsored event. The VIDEOfeet team wanted to do something that would be a real challenge and that they would have to get themselves fit for. The London Triathlon fits the bill!
Aside from Al’s recent experiences, all of the members of the team have been affected by the impact of cancer in their lives. Matt would also like to run the Triathlon in the memory of his sister, who supported cancer fundraising in her life.
They all feel that Macmillan Cancer Care do great work in caring for people affected by cancer and that it is a great charity to support in this way!
Trestle are proud to be supporting the VIDEOfeet Team and we urge you to please give generously!
Visit www.justgiving.com/videofeet to Donate!

1 Jul 2013

The Live Music Project @ Highfield Park Fete: Saturday 13 July

We hope you can join Trestle Theatre Company and The Live Music Project at Highfield Park Summer Fete, on Saturday 13 July 2pm - 6pm.

 This Free day of family fun in the park includes, fairground rides, coconut shy, craft and gift stalls, live entertainment, beer tent, plant stall, food plus lots more fun.

 Nick Stephenson will be performing for The Live Music Project throughout the event. Nick is a professional Singer/Songwriter, Promoter and Recording Artist based in St Albans, Hertfordshire. He is formerly a member of Ground Dust/Legion of Filth, a legendary musical collective that made big waves on the local scene before disintegrating in 2010, leaving Nick to concentrate on his solo activities. His debut album 'Dream Logic' follows on from a number of low-key E.P releases and solo appearances around the country.

Nick's music is a unique blend of strong English folk influences fused with a modern, experimental pop/rock sensibility - passionate and unashamedly romantic, but at the same time hard hitting and dynamic. The styles on 'Dream Logic' range from intimate acoustic performances to full band arrangements, showcasing the rawness of Nick's solo style and the many musical routes his writing explores (Electronica, Folk, Jazz, Blues etc.) Nick's powerful and distinctive vocal delivery takes its cue from the likes of David Bowie, Richard Thompson and perhaps a touch of Scott Walker.

Besides promoting his own music, Nick runs two very successful open mic nights in Hertfordshire, Mid-Week Music at The Mermaid, St Albans (every Wednesday from 8.30) and Amble Inn's Music Box, Harpenden (every 1st and 3rd Tuesday of the month, 8.30) Having played at various festivals in the UK in the last 6 years including Glastonbury, Bestival and Secret Garden Party,

Nick has been touring full time as a solo artist since 2010. He also formed a new band, 'Nick and the Sun Machine' in April 2012 who have recently recorded a single with Tony Newman (Iron Maiden) at Air Studios in Hampstead, London. They have also played alongside Cara Dillon and Show of Hands at 'Folk by the Oak' and headlined The Alban Arena, St Albans. Nick has worked on a computer games soundtrack 'Breeze' with producer/engineer Justin French is also in the process of writing and recording an album of new songs with 'the Sun Machine' as well as a new solo E.P for 2013.

 For more information about the fete please visit www.highfieldparktrust.co.uk